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HANS ROTT - Orchestral Works Vol. 2
GÜRZENICH ORCHESTER KÖLN · CHRISTOPHER WARD,
‘Yes, he is so related to my very self that he and I are like two fruits from the same tree, produced by the same soil and fed by the same air.’ (Gustav Mahler)
The premiere of the Symphony No. 1 in E major by Hans Rott, written more than 100 years earlier, in 1989 introduced the international music world to a composer who had been unknown or known only by name even to most pundits. His colleagues and friends included the one or two-year younger composers Gustav Mahler and Hugo Wolf. Besides Wagner, Bruckner was the most important model for Rott’s first symphonic work. The symphony is the summum opus the not quite twenty-year-old left behind. It is his first and final finished major work. It is the synthesis of what he had written to date and a proclamation of what might have come.
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Grigori Frid
ELISAVETA BLUMINA · VOGLER QUARTETT
His monodrama The Diary of Anne Frank (1968) put Grigori Frid on the musical map, beyond the borders of Soviet Russia. Frid was born in the Petrograd (St. Petersburg) of 1915 and had to witness early on how his family fell victim to the seemingly indiscriminate (and in fact deliberately arbitrary) rounds of suppression, arrest, and deportation of the Stalin Regime. His music stands in the aesthetic realm of Dmitri Shostakovich on the one hand, and that of his younger contemporaries Edison Denisov, Sofia Gubaidulina, and Alfred Schnittke on the other. His works finds itself influenced by the great Russian tradition but yearning to find new, modern ways – more in line with international trends in music – of expressing itself.
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Pancho Vladigerov Edition: String Concertos
Badev · Schneidermann · Nikolov · BULGARIAN NATIONAL RADIO SYMPHONY ORCHESTRA · ALEXANDER VLADIGEROV
From the diversity of Bulgarian musical culture Pancho Vladigerov stands out as undoubtedly the most important composer for the musical self-conception of modern Bulgaria. Apart from the piano, which was Pancho Vladigerov’s primary, expertly mastered instrument (see Capriccio CD C8060 – The Piano Concertos), the violin was second nearest and dearest to him. Undoubtedly the most popular and most often performed composition of Vladigerov’s is his Bulgarian Rhapsody op.16 “Vardar” (1922) – presented here, for violin solo and orchestra. It appears to genuinely tap into the character of Bulgarian life and absolutely nails a specific aspect of the entire country’s culture.
These recordings, produced in the 1970s in Bulgaria, comprise Capriccio's 18-disc Vladigerov Edition that will preserve this colourful music for future generations. Conductor Alexander Vladigerov is the son of Pancho Vladigerov.
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HANNS EISLER - Deutsche Sinfonie, Op. 50
ORF Vienna Radio Symphony Orchestra · Günther Theuring
Of particular importance to Eisler was the principle of synthesis, working with a variety of musical aesthetics, and merging them to an autonomous whole… albeit always with an eye to also wanting to “change the world” with his music. The October Revolution of 1917 and the assumption of power by the Bolsheviks in Russia shaped young Hanns Eisler already for the rest of his life. Later on, in the 1930s after all, there was no topic that preoccupied him more, during the years of exile, than the sustained protest against National Socialism. Eisler wanted to make a musical stance against Fascism with his Opus 50; he wanted to show – together with his collaborating librettist Brecht – that there was not just a Germany Nazis but another, better Germany… driven into Exile or interned in concentration camps. The Deutsche Sinfonie is arguably Eisler's most important composition; she is unique in its ingenious combination of symphony, cantata, and oratorio.
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Rudolf Wagner-Régeny
SELINGER SCHLEIERMACHER RUNDFUNKCHOR BERLIN RUNDFUNK-SINFONIEORCHESTER BERLIN · JOHANNES KALITZKE
