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HANS BRONSART VON SCHELLENDORF
Oliver Triendl · Nina Karmon · Wen-Sinn Yang Staatskapelle Weimar Eugene Tzigane
Until recently, Bronsart von Schellendorf's career as a composer has been almost completely overlooked. But Liszt was aware of Bronsart’s prowess, referring to his orchestral work Frühlings-Fantasie as “beautiful and invaluable” and later declaring, “I value him as a character and a musician.” Even a cursory listen to the Piano Concerto reveals a composer working in ambitious dimensions and an extrovert musical language. Rich in melodic and emotional content, Bronsart’s piano writing gives ample opportunity for virtuoso display while delivering Bronsart’s musical arguments with power and precision. Bronsart's good friend Hans von Bülow, another pupil of Liszt, had toured the work from 1870 onwards. He took the concerto abroad, giving a concert in Manchester under the baton of Charles Hallé in 1877, by which time the work had secured a temporary foothold in the repertory.