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SERGEY RACHMANINOV
RADIO-SINFONIEORCHESTER STUTTGART · SIR NEVILLE MARRINER
Weitere Bilder
WILLIAM BOYCE
Academy Of St Martin In The Fields · Sir Neville Marriner
With CAPRICCIO Encore we re-release most famous recordings from the Backcatalogue in a remastered version, new design and for a special price. Legendary recordings of artsts like Sandor Végh, Ton Koopman, Sir Neville Marriner or the Vienna Boys’ Choir are also included as special repertoire highlights from the baroque to the contemporary era.
Weitere Bilder
FRANZ & CARL DOPPLER EDITION 2/10
Claudi Arimany, János Bálint, Karl-Heinz Schütz, Shigenori Kudo, Ingrid Kertesi, Joan Espina, Alan Branch, Orquesta Sinfónica Ciudad de Elche, Leonardo Martínez
Andante et Rondo, Op. 25 for two flutes and piano (F)
“Pásztorhangok” (Shepherd’s Tune) for soprano, two flutes and piano © (WPR)
Morceaux favoris sur “La Dame Blanche” opéra de F.A.Boieldieu for solo flute with piano ad libitum (F) (WPR)
“Az ujabb zene gyöngyei. A Legkedveltebb Csárdások”. Füzet 2
(The recent Hungarian music pearls. The most popular Csardas. Book 2) for flute and piano © (WPR)
Duo sur “Don Giovanni” opéra de W.A.Mozart for two solo flutes (F) (WPR)
Potpourri sur “Faust” (Margarethe) opéra de Ch.Gounod for piano and flute (F) (WPR)
“Le Désir” (Cramer-Doppler) for flute and piano (F) (WPR)
“Souvenir de Prague” Duo Concertant for two flutes and orchestra (F&C) (WPR)
C = Carl Doppler / F=Franz Doppler / WPR=World premiere recording
Claudi Arimany, János Bálint, Karl-Heinz Schütz, Shigenori Kudo, flutes
Ingrid Kertesi, soprano · Joan Espina, violin · Alan Branch, piano
Orquesta Sinfónica Ciudad de Elche • Leonardo Martínez, conductor
The Doppler brothers played a dominant role in the K&K Monarchy’s musical life as composers, conductors, musicians and as orchestral soloists. They were on good terms with acknowledged artists of the era, such as Ferenc Liszt, Ferenc Erkel, or Jozsef Bajza.
This is the second release in a set of 10 CDs comprising the Dopplers' complete music for flute(s), including various arrangements. Flautist Claudi Arimany spent decades researching this project, inspiring many famous musicians to become involved in its realisation.
Weitere Bilder
FRANZ & CARL DOPPLER EDITION 1/10
Claudi Arimany, Andrea Griminelli, János Bálint, Shigenori Kudo, Alan Branch, Orquesta Sinfónica Ciudad de Elche, Leonardo Martínez
Fantaisie sur des motifs hongrois, Op. 35 for two flutes and piano (F&C)
Fantaisie sur un motif de Beethoven, Op. 46 for flute and piano (F) (WPR)
Duettino über Amerikanische National-Motive, Op.37 for flute, violin and piano (original version) (F) (WPR)
Morceaux favoris sur “La Muette de Portici” opéra de D. Auber for solo flute with piano ad libitum (F) (WPR)
“Az ujabb zene gyöngyei. A Legkedveltebb Csárdások”. Füzet 1 (The recent Hungarian music pearls. The most popular Csardas. Book 1) for flute and piano © (WPR)
Duo sur “Preciosa” opéra de C. M. von Weber for two solo flutes (F) (WPR)
Potpourri sur “Dinorah” opéra de G. Meyerbeer for piano and flute (F&C) (WPR)
Duo Concertante über Motive aus der Oper “Rigoletto” von Verdi for two flutes and orchestra (original 1853 Doppler orchestral version) (F&C) (WPR
C = Carl Doppler / F=Franz Doppler / WPR=World premiere recording
Claudi Arimany, Andrea Griminelli, János Bálint, Shigenori Kudo, flutes
Joan Espina, violin · Alan Branch, piano
Orquesta Sinfónica Ciudad de Elche • Leonardo Martínez, conductor
The Doppler brothers played a dominant role in the K&K Monarchy’s musical life as composers, conductors, musicians and as orchestral soloists. They were on good terms with acknowledged artists of the era, such as Ferenc Liszt, Ferenc Erkel, or Jozsef Bajza.
This is the second release in a set of 10 CDs comprising the Dopplers' complete music for flute(s), including various arrangements. Flautist Claudi Arimany spent decades researching this project, inspiring many famous musicians to become involved in its realisation.
Weitere Bilder
FRANZ LISZT
WOJCIECH WALECZEK, piano
What a man, what a violin, what an artist! […] And his expression, his manner of phrasing, and finally his soul!’ Franz Liszt, 1831 (about Paganini)
The transcriptions and arrangements of Paganini’s études represent a special case and, besides a bow before the great colleague, demonstrate demands on extreme technical skills. In his études, the pianist Liszt is quite evidently endeavouring to place alongside the Devil’s violinist Niccolò Paganini a Devil’s Pianist, which he completely succeeds in doing. In general, recourse is taken to the second version (1851) today, as it seems to be in keeping with Liszt’s definitive desire. However, all the more interesting on this CD is a direct comparison with the earlier version (1838), which exhibits an even more dense notation and difficulties transcending technical borders.
