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Première Portraits - EMANUELE D’AGUANNO
EMANUELE D’AGUANNO, tenor · CHARLES SPENCER, piano
VINCENZO BELLINI (1801 – 1835)
[1] Malinconia, Ninfa gentile · [2] Vanne, o rosa fortunata · [3] Almen se non poss'io · [4] Per pieta, bell'idol mio · [5] Ma rendi pur contento · [6] Torna, vezzosa Fillide · [7] · La ricordanza · [8] Vaga luna, che inargenti
GAETANO DONIZETTI (1797 – 1848)
[9] E morta · [10] Eterno amore e fe · [11] Amore e mort · [12] Il pescatore
[13] Il barcaiolo
GIOACCHINO ROSSINI (1792 – 1868)
La promessa · [15] Il rimprovero · [16] La partenza · [17] L' orgia
With “Première Portraits” CD-Edition Capriccio set an example for the support of young and talented artists and invite them to release their première CD for a worldwide audience.
Emanuele D’Aguanno is one of the most promising young tenors of his generation. He imposes himself at the “Toti dal Monte” Competition in Treviso (Paolino in Cimarosa's Il matrimonio segreto), and immediately started an intense activity which led him to perform quickly in many important houses in Italy and abroad. Among his most important recent engagements: Nemorino in L'elisir d'amore conducted by Bruno Campanella and Die Frau ohne Schatten conducted by Zubin Mehta at Teatro Comunale in Florence, L'elisir d'amore at Bunka Kaikan in Tokyo, Lucrezia Borgia directed by Christoph Loy at the Bayerische Staatsoper in Munich, Salieri's Il mondo alla rovescia at Teatro Filarmonico in Verona, Verdi's Otello (Cassio) at the Canadian Opera in Toronto, Hasse's Piramo e Tisbe with Europa Galante conducted by Fabio Biondi at the Whistun Festival in Salzburg and in Montpellier, Don Giovanni (Don Ottavio) in Glyndebourne, Mayr's Medea in Corinto (Egeo) conducted by Ivor Bolton at the Bayerische Staatsoper in Munich and Il ritorno di Ulisse in patria (Giove and Anfinomo) for his debut at Teatro alla Scala in Milan conducted by Rinaldo Alessandrini.
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Première Portraits -CORNELIA HÜBSCH
CORNELIA HÜBSCH, soprano · CHARLES SPENCER, piano
4 Lieder op. 21
4 Lieder op. 34
With “Première Portraits” CD-Edition Capriccio set an example for the support of young and talented artists and invite them to release their première CD for a worldwide audience.
The Austria soprano Cornelia Hübsch was born in Baden near Vienna (Austria) and studied at the University of Music and Performing Arts Graz (Austria) under the supervision of Mrs. Elisabeth Batrice. In addition to that, she attended master courses with Ildiko Raimondi, Kurt Equiluz and David Lutz. She is a regular soloist at various operetta stages and personified different characters in operettas. In 2008 Cornelia Hübsch was rewarded a price at the International Nico Dostal Competition for Operetta. In the fields of opera and operetta concertante she was invited In 2011/2012 to join a concert tournee to the most important concert halls of Spain. Her numerous recitals connects the soprano because of a long-standing
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CARL MARIA VON WEBER: OVERTURES
STAATSKAPELLE DRESDEN · GUSTAV KUHN
CAPRICCIO Encore is a series of re-releases of the most famous recordings from CAPRICCIO’s back catalogue, fully re-mastered and competitively priced. The legendary recordings of artists such as Sandor Végh, Ton Koopman, Sir Neville Marriner and the Vienna Boys’ Choir also contain repertoire highlights that have a particularly special appeal, from the baroque to the present day.
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Music Of The Bach Sons
CONCERTO KÖLN · WERNER EHRHARDT
Sinfonie g-moll / Sinfonia in G minor op. VI, 6
CARL PHILIPP EMANUEL BACH (1714-1788)
Cembalokonzert g-moll / Harpsichord Concerto in G minor Wq 6
WILHELM FRIEDEMANN BACH (1710-1788)
Adagio und Fuge d-moll / Adagio and Fugue in D minor Falk 65
Sinfonia D-Dur / in D major Falk 64
JOHANN CHRISTOPH FRIEDRICH BACH (1732-1795)
Sinfonia d-moll / in D minor Wfv I/3
Sinfonia Es-Dur / in E flat major Wfv I/10
Gerald Hambitzer, harpsichord solo
CONCERTO KÖLN · WERNER EHRHARDT
CAPRICCIO Encore is a series of re-releases of the most famous recordings from CAPRICCIO’s back catalogue, fully re-mastered and competitively priced. The legendary recordings of artists such as Sandor Végh, Ton Koopman, Sir Neville Marriner and the Vienna Boys’ Choir also contain repertoire highlights that have a particularly special appeal, from the baroque to the present day.
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KAROL SZYMANOWSKI
MARISOL MONTALVO · EWA KUPIEC · DEUTSCHE STAATSPHILHARMONIE RHEINLAND-PFALZ · KARL-HEINZ STEFFENS
He ranks as one of the many lone wolves and practically outsiders in music, as one of those composers thoroughly familiar to pundits, but whose works were all too often ousted from the concert repertoire by more popular contempories. A clear ‘progression’ can be discerned in Szymanowski’s musical development. Whereas he was influenced by late Romantcism in his earliest works, after the middle of the First World War (i.e. the time of his return home) he was particularly attracted to Impressionism. From the works of this period on, he still remained committed to tonality, but goes to its very limits. Moreover, the orchestral works are usually accompanied by a lush and beguiling ecstasy of colours paralled most likely in the music by Alexander Scriabin.
